This year I joined in with the Inktober challenge again, which involves making an ink drawing every day (or as often as possible) during October and sharing each one on Instagram.
In the past I’ve stuck to black ink and last year I just used a fineliner for the whole month. This time I decided to add some colour so I used liquid inks – mostly India ink and occasionally acrylic ink.
I used a pen once or twice for lettering and black areas but otherwise I used inks and brushes. Here are my 31 drawings from the month. You may recognise a few of these as the new postcards which you can now buy in my Etsy shop.
A few more are (or are going to be) available as prints too.
My main piece of creative work over the past few weeks has been a single drawing. I originally estimated that it would take me 2 weeks to complete but it’s actually taken 3 weeks from start to finish and sometimes that’s felt a bit frustrating.
During this year’s 100 Day Project I often spent hours each day working on a single illustration. It wasn’t good for me but it became a habit and finding a balance again is trickier than I expected.
Because I’m trying to work at a slower, steadier pace again, I’ve been quite strict about how much time I’ve spent working on this drawing each day. This probably skewed my judgement about how long I’d take to get it finished but luckily there wasn’t a hard deadline.
To help keep myself in check, I’ve got back to following the example of my friend, Michael Nobbs, and setting my timer for 20 minutes at a time, with my goal being to spend 20 minutes each day working on the drawing.
Sometimes I’ve done 2 or 3 short work sessions in a day, but more often than not I’ve just spent 20 minutes each day on this piece of work. Not only has this meant that the paint can dry between layers but it’s also allowed me to come back to it each day with fresh eyes, which has probably helped me to avoid making mistakes. It also helps me to keep a gentle sense of momentum with my work so that I can see progress without falling into the unhealthy cycle of boom and bust with my energy that I have a tendency towards.
It can feel really satisfying to work on a piece of work from start to finish in one day. What I’m now realising, though, is that the work I made earlier this year would probably have turned out better if I hadn’t tried to produce quite so much of it, or if I’d at least done what I’ve done in the past and set some sort of boundary in terms of the pace or size of my work.
I’ve now reached a point with my current drawing where I’m feeling ready to start a new piece of work and I’m pleased with the way I’ve approached this one. I think it’s been good for me and also good for the person who will own this drawing.
Now the challenge is to maintain this pace and not slip back into unhelpful habits!
Earlier this month I went out for the day with Urban Sketchers, London and we sketched in Highgate, in north London. Almost everyone seemed to spend most of the day in Highgate Cemetery, which is where I sketched Karl Marx’s grave, probably one of the most famous there.
I also managed to get in another quick sketch from a spot that’s not on the main ‘trail’ in the cemetery and it was very peaceful. This was in my Hahnemuhle grey sketchbook using an HB pencil and a 0.3 Unipin pen.
There’s not much shelter from the elements in Highgate cemetery but we were really lucky with the weather. There was a thunder storm but that held off until the end of the day, by which time most of us were under the shelter outside a cafe back in Waterlow Park.
After lunch and before the rain started I made a start an a third sketch. I ran out of time, and although part of me would like to finish it off at home using a photo for reference, I quite like leaving some of my urban sketches unfinished because they tell the story of the day.
Our next outing’s planned for Spitalfields Market on 14 October so come and join us!
Today I finished my 100th piece of hand lettering for this year’s 100 Day Project. I’ve made 1 piece of hand lettered work every day since 4th April. It’s been a big challenge and some days I wondered what I’d got myself into. I’ve digitised some work but I actually settled into working in my Moleskine watercolour sketchbook a lot of the time. I also combined some of my hand lettering with other work that I was doing on any given day.
Let me know in the comments below which one is your favourite, and if you’ve been working on the 100 Day Project, leave a link to where you’ve been sharing your work.
Today is day 50 of the 100 Day Project 2017, so to mark that half way point I thought I’d share in one place all the hand lettering I’ve created over the past 50 days. Let me know which one is your favourite and whether you’re doing the 100 Day Project this year. If you are, what are you doing for it and how’s it going?