100 Days of Botanicals

Yesterday was the last day of this year’s 100 Day Project, which is an annual global art project, free for anyone to join in. All you have to do to take part is choose a creative project that you can work on every day and do it every day for 100 days. If you choose, you share your work online with the hashtag #the100dayproject.

I’ve taken part twice in the past, making patterns and hand lettering. This year I decided that every day I would make a small drawing with a botanical theme – flowers, fruit, vegetables, leaves… These are the 100 drawings I made and as you can see, I played around with different mediums and styles and I really enjoyed it.

There were times when it felt difficult or like I really didn’t want to draw another flower ever again but I kept going and I’m glad I did. It’s been a really good way to create a new body of work and be playful at the same time.

I have some ideas about what I want to do next but for the moment I have a big piece of work to finish and then I think I’m going to have a bit of a rest from making new drawings for a bit.

In the meantime, I’m slowly adding all of these 100 drawings to my Etsy shop. Some have already sold but if the one you like isn’t there yet it will probably appear over the next couple of weeks.

New Art Supplies from London Graphic Centre

LondonGraphicCentre_Art Supplies

A few weeks ago the London Graphic Centre very kindly sent me some new art supplies to try and I thought you might like to see what I received. I haven’t had the time to try them out properly yet but these are my first impressions.

Paper

Fluid Watercolor Block

As you probably know, I use watercolour paints a lot in my work so I was excited to received this hot press watercolor block from the brand Fluid. I’ve never actually used a block of paper before but the idea is that the sheets are glued together *almost* all the way around, meaning that the paper should stay nice and flat while you work on it. When you’re finished working, you find the tiny gap in the glue and run a sharp knife around the edge to remove the top sheet.

Watercolor Block

This paper is 300gsm, acid-free and feels lovely and smooth. I’m a big fan of smooth, thick watercolour paper so I’m sure I’ll enjoy using this.

Winsor and Newton Watercolour Pad

I also received this Winsor and Newton watercolour pad. This one is cold press paper, which means it has some texture to it and again, is 300gsm.

Winsor and Newton Cold Press Watercolour Paper

I was convinced I hadn’t tried the Winsor and Newton watercolour paper but I actually have a tiny spiral bound sketchbook which I’ve used for one or two urban sketches and the paper is really nice to use and takes watercolour washes very well.

Ink

Tombow Pen

Tombow pens are really handy and they have 2 different nibs – a brush nib at one end and a finer bullet nib at the other. They’re not something I use every day but I find them quite useful for quick sketches.

When I did the One Week 100 People challenge I found this was the best pen for loose, fast sketches, especially the finer nib. It doesn’t drag and because it’s a bit thicker than a standard fine liner, it forces you to be less precious about the outcome.

All Kinds of Pencils

Derwent Pencils

During my current 100 Day Project I’ve started using coloured pencils combined with watercolour paints so I was really excited to receive this selection of pencils by Derwent. I love their watercolour pencils and lately I’ve loved playing with the Inktense range, so I know that I’ve got some really high quality pencils here.

I haven’t tried Derwent’s Procolour or Coloursoft before but I really like the look and feel of both of them. As the name suggests, the Coloursoft makes a nice soft, almost grainy texture, while the Procolour is slightly more waxy so it will be interesting to compare them in a bit more detail soon.

Derwent Pencils
Derwent pencils from top to bottom: Procolour, Graphic 2B, Inktense, Watercolour, Pastel, Coloursoft

I didn’t know that Derwent made a pastel pencil. It feels almost chalky to use and I’m already trying to think of ways to incorporate it into my work.

Graphite

Derwent 2B Pencil

Very occasionally I make pencils drawings but usually the only time I usually use graphite pencils is for sketching outlines or making rough sketches before I start a final piece of work, but this Derwent¬† Graphic pencil may convert me. For a 2B it has quite a light coverage and doesn’t smudge easily so I think I’ll get along with this one very nicely.

Derwent Mechanical Pencil

One thing I had been thinking about buying is a good quality mechanical pencil, partly for the convenience when out and about, and partly for achieving a consistent pencil line without having to sharpen it. This Precision pencil, also from Derwent, looks really nice. It has a 0.5mm lead and a full metal body which suggests to me that it should be sturdy and long lasting.

Watercolour Stick

Winsor and Newton watercolour stick

Something else I haven’t tried before is this watercolour stick from Winsor and Newton. It feels almost like a wax crayon and goes on to the paper in that sort of way too. But then when you add water over the top it transforms into a lovely watercolour wash. I’m wondering if I could use it in my 100 Day Project and I think they’d be really handy for urban sketching too. A few of these and a water brush could be a very practical part of a sketching kit.

Gouache

Caran D'Ache Gouache

I also have 2 colours of gouache from Caran D’Ache. I love the watercolour pencils I have from Caran D’Ache but I didn’t realise they also made gouache so I’ll be interested to see how this pan and tube compare to other brands I’ve used.

Watercolour Pencils

Winsor and Newton Watercolour Pencils

Finally, I have this set of 12 watercolour pencils from Winsor and Newton. The label states that they are ‘premium artist quality’ and highly pigmented. They go onto the paper very smoothly and certainly seem to produce a vibrant wash when water’s added so I’m very keen to start using these regularly alongside my Winsor and Newton paints (and paper!).

A big thank you to London Graphic Centre for adding to my stash of art supplies. If you’ve used any of the things I’ve mentioned here I’d love to here your thoughts about them and if you’d like to see a more detailed review of any of them, please let me know!

 

Bear in a Scarf

Bear Wearing Scarf

A bear I painted in my sketchbook a few weeks ago. I’m thinking of making more drawings of animals in knitwear and more animals in general. Are there any animals in particular that you’d like to see me draw/paint?

MATS Bootcamp: Sewing Storage

Cathryn_Worrell_Sewing_Trays

For April’s MATS Bootcamp assignment we were asked to design organisational trays/cups on the theme of sewing accessories, or sewing notions. I tried a few different ways of drawing and colouring my ideas and eventually decided on these designs for a tray, some trinket dishes and 3 different storage cups.

For the design of the trays and cups I was inspired by a few things I’d spotted on Pinterest and also in online shops like Anthropologie. With the drawings I decided to stick with simple line drawings in ink which I coloured digitally.

Making patterns is one of my favourite ways to play around with my drawings so I also created 2 repeat patterns using the same images – one using all the drawings I’d made and another that used just the buttons.

This was probably my favourite assignment so far in Bootcamp because the work I made felt very ‘me’. I felt like I was learning new things but at the same time using a style that is familiar and comfortable. We have one more month to go and I’m curious to see what that assignment will be, but in the meantime we have an extra week before that work starts so I’m enjoying a little break and resting as much as possible.

MATS Bootcamp: Sylvia Pankhurst

Cathryn_Worrell_SylviaPankhurst

In March our MATS Bootcamp assignment was to create a portrait of a Suffragette and my Suffragette was Sylvia Pankhurst. I’d never heard of her before but she was one of Emmeline Pankhurst’s daughters.

Sylvia was born in Manchester but spent a lot of time working in east London, championing the working class, who she saw as instrumental in bringing about real change in terms of voting rights. This was one of the things created tension between her and her mother, and her older sister Christabel. Eventually Sylvia became estranged from her family after having a child outside of marriage.

In the 1950s she moved to Ethiopia after becoming friends with Haile Selassie, and she is buried in Addis Ababa.