Facing Fears

CathrynWorrell_SelfPortrait

This week I haven’t had an illustration assignment to do so I’ve been taking some time to just draw. I haven’t used an actual sketchbook regularly in a long time and I realised that I was missing it. Most of the work I’ve done lately has been on loose sheets of paper, which has made it easier to scan. I went through the stack of sketchbooks that I’ve not yet filled and each one was for a different but very specific purpose.

So today I started a new everyday sketchbook. It’s a type that I haven’t used before – a Seawhite of Brighton watercolour travel journal. My plan is simply to fill a page every day – or most days at least – with whatever I feel like drawing or painting.

CathrynWorrell_Grandad_Portrait

 

We’ve had a hint that our next MATS Bootcamp assignment will have something to do with ‘faces’. For some reason I tend to avoid drawing faces because they feel so difficult but I think it was Tommy Kane who I once heard say that it’s not about being able to draw a particular type of thing, because it’s all drawing – observing something and translating that through your pen or pencil to the page.

So as uncomfortable as it might feel, I’ve started practising drawing faces this week. The first I did on loose paper and the second one is on the first page of my new sketchbook. My ultimate goal would be to loosen up and draw faces in a more minimal or stylised way, but for the moment I’m enjoying learning by creating portraits with a bit more detail to them.

For reference I’m using my own photos – either old family photos or pictures I’ve taken myself. Is there a subject you tend to avoid in your creative work because you’ve told yourself that it’s too difficult? What might happen if you started practising that type of work more regularly?