About Cathryn Worrell

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So far Cathryn Worrell has created 298 blog entries.

My Urban Sketching Kit

Urban_Sketching_Kit

Someone asked me recently what’s in my urban sketching kit so I thought I’d share that with you today. I don’t carry all these things with me every day. I have a small sketchbook, pen, pencil and a tiny watercolour set that I sometimes keep in my bag in case I want to sketch while I’m out doing other things. This bigger kit is what I take when I go out for a full day’s sketching.

Zip Pouch

This is a black quilted zip pouch that I got from Paperchase and it’s actually an iPad case. When I bought this one I also bought one that’s about half this size, which I use to carry my smaller, day-to-day sketching kit. I’m able to fit almost everything in here – minus the stool and the big sketchbook – and it keeps everything together inside my bag so it’s easier for me to find what I need.

It also means that when I get home I can take the whole thing out of my bag easily and store it so it’s ready to go when I next need it. It’s kind of my portable studio.

Sketchbooks

I usually have one dedicated urban sketching sketchbook on the go and until recently that was the big A4 Moleskine watercolour sketchbook that’s at the bottom of this stack. I’ve just finished that one and I already have my next sketchbook lined up. It’s a spiral bound Daler Rowney sketchbook  which is 7 x 10 inches and has a sturdy hard cover.

I don’t usually go for spiral bound sketchbooks because they’re difficult to scan but for urban sketching I think this could be a good choice because it’s not too cumbersome and should sit nicely on my lap.

The smaller black sketchbook on top is a Hahnemuhle sketchbook with grey paper which fits easily inside the zip pouch and is quite lightweight so I sometimes take that with me for quicker pen/pencil sketches or to use in places where paints aren’t allowed.

Seat

This is a pocket chair which folds flat and has its own storage pouch so it fits neatly in my bag. I usually take this out with me but it’s surprisingly heavy for its size so if I’m going somewhere where I know there’ll be plenty of seating I don’t always bother packing it.

Paints

This is my small Schmincke watercolour palette which contains a mixture of Schmincke, Winsor and Newton, and Daniel Smith watercolours. They’re slightly different colours from what I use when I’m drawing at home and I’ll share more information about what specific colours I use some other time.

Pencil Case

This is a Neo Kritz pencil-case which is durable, holds a lot and stands vertically on a flat surface if you need it to.

Pens, Pencils and Brushes

Pens_and_Pencils

The contents of my pencil-case vary a little bit but this is what I carry most of the time:

  • A black Uniball pen, which is waterproof and glides easily over coloured pencil
  • My Lamy Safari which is filled with waterproof carbon ink. If it runs out the Uniball is an excellent back-up
  • A fine Unipin pen which works well for basic ink sketches
  • A white Gelly Roll pen to use in my grey sketchbook
  • A while pencil to use in my grey sketchbook
  • A few watercolour pencils to use for my initial sketches. These blend in with the paints so there aren’t too many visible pencil lines.
  • A size 10 Escoda travel brush. It’s a decent size brush for washes but also has a fine point and the handle detaches and acts as a cap to protect the bristles

Extras

My current water container is a dipper for oil painting and it’s a bit on the small side but it clips onto my sketchbook which is handy. A spray bottle for reactivating my paints can be useful, clips are a necessity on windy days for holding sketchbook pages down and paper towels are always part of my sketching kit too.

So that’s my comprehensive urban sketching kit and it can be heavy so I don’t like to carry all of it around with me very often. My smaller, pared down kit is much simpler and obviously, the bare minimum I’d need is a pen or pencil and a piece of paper.

Do you ever sketch on location? What do you take with you?

By | September 22nd, 2017|Drawing|0 Comments

Drawings and Reflections from August

Cathryn_Worrell_Car_Pattern

I still haven’t managed to get my energy levels back on an even keel since the end of the 100 Day Project (this is life with M.E sometimes!) so I was appreciated the slower pace for the 365 project over the summer. I created one new illustration each week rather than 3 and enjoyed being able to take my time with each one.

As you can see, I made 2 new repeat patterns (one of my favourite things to create nowadays), a simple fish illustration and a self portrait.

As well as these 4 pieces I made an illustrated map of the City of London, which you can see on They Draw and Travel.

CathrynWorrell_SelfPortrait

Now September’s here and I’m back to creating 3 new illustrations each week. Since my energy’s in short supply I’m experimenting with ways to keep things as simple as possible to avoid overwhelming and exhausting myself.

Right now I’m planning on sticking to my paper sketchbook and avoiding doing too much digital work. Digitising my work is fun but it can be really time-consuming for lots of reasons so cutting out that stage feels like a good plan right now. I may even use a pocket-sized sketchbook for some of my illustrations, just to keep things really simple.

Do you find it helpful to keep your work process simple and straightforward or do you prefer to spend lots of time on a piece of work?

By | September 6th, 2017|Uncategorized|0 Comments

Labor Day Sale!

LaborDaySale

Today I wanted to let you know that I have a sale coming up in my Etsy shop. From tomorrow until Monday 4 September everything in the shop will be discounted by 10%! You won’t need a coupon code to take advantage of the offer because the prices will be automatically marked down. Anyone who is subscribed to my email newsletter can also add an extra discount on top of the sale prices using the coupon code I sent them when they subscribed!

My shop is stocked full of prints, original paintings, greetings cards and notebooks. Head over there now to choose the perfect birthday (or holiday!) gift for someone, or treat yourself while this offer’s available.

By | August 30th, 2017|Shop|0 Comments

Review: Back Pocket Notebooks

Back Pocket Notebooks

Over the past couple of weeks I’ve been testing out the Back Pocket Notebook. Although it’s not specifically a sketchbook, I’ve been using it for some lettering and drawings to see how it compares to sketch specific books.

To summarise, if you’re looking for a good quality, robust little notebook to carry around, I would definitely recommend the Back Pocket Notebooks.

Back Pocket Notebooks Back

I have a set of 3 Kraft Plain Notebooks, each of which contain 18 sheets or 36 pages of 120gsm paper and a stapled spine.

Back Pocket Notebooks Spine

At first glance they reminded me of the A6 Eco Starter Sketchbooks from Seawhite of Brighton. The Back Pocket Notebooks are slightly smaller, measuring 9 x 14 cm. The paper isn’t quite as thick as the Seawhite cartridge paper but there are more pages than the Eco Starter and the paper has a nice smooth surface, which I really appreciated when using fine liners and markers.

Back Pocket Notebook Inside

Although it’s described as a ‘plain’ notebook, I think that refers to the cover because it’s pointed out on the band holding the 3 notebooks together that the paper inside is actually cross grid. It’s similar to dotted paper but each ‘dot’ is a tiny cross. I’d never used that kind of paper before but it was kind of handy for keeping my hand lettering straight!

Back Pocket Notebook Felt Tip

The paper in the Back Pocket Notebook is perfect for either pen or pencil. I used a few different fine liners and felt tip pens, and the only pen that bled through to the other side of the page was the Copic marker. But Copic markers seem to bleed through almost all paper in my experience so this wasn’t a surprise or a big deal. I covered some large areas with Koi brush pens and even with the darker colours the dots on the paper do show but that may or may not be a problem for you. It didn’t bother me because I wasn’t trying to create a finished piece of artwork.

Back Pocket Notebook Gouache

I was able to apply a light wash of watercolour in the Back Pocket Notebook without any problems and the paper took gouache quite well too. The paper does buckle with both watercolour and gouache but even some dedicated watercolour paper does that so, again, this wasn’t a surprise or a problem for me.

I’ve carried the Back Pocket Notebook around in my bag and it’s stood up well to that without getting damaged so far. I wonder if rounded corners might make it a bit more robust in that respect if you were carrying it around in your bag or pocket every day.

The Back Pocket Notebooks are excellent quality, and the size means that they’re really easy to carry around without adding lots of extra weight or bulk. I wouldn’t use them to replace a dedicated sketchbook but as somewhere to keep notes and ideas, make simple line drawings and practise hand lettering, the Back Pocket Notebook is an excellent option and, as the name implies, highly portable too!

Thank you to Justin at Back Pocket Notebooks who gave me this set of Kraft Notebooks to test in exchange for an honest review.

By | July 28th, 2017|Creativity, Drawing|0 Comments

Relearning (yet again!) the Importance of Self Care

Right now I’m in the middle of an M.E crash. I think it had been threatening for a while but I kept ignoring (or not even noticing) the signs, which never works out well! Sunday was probably the worst day and it was probably the worst my symptoms have been in a very long time.

I really started to notice that I wasn’t feeling well about a week ago, which is right when I finished the 100 Day Project. In retrospect, I think the way I approached this year’s 100 Day Project was unwise. I took on too much and didn’t allow myself to slow down when I needed to.

Last year’s 100 Days of Patterns was pretty manageable because I worked in pocket-sized sketchbooks and wasn’t looking to create a technical repeat pattern every single day. This year’s 100 Days of Hand Lettering often became so time-consuming that I would spend almost an entire day digitising my work to create a finished illustration. That would be too much for most people but is definitely too much when you already have very limited energy.

Next year I really need to think it through carefully. First of all I need to decide if I’m going to do the 100 Day Project at all, and, if I do, how best to approach it to avoid wearing myself out.

The closer I got to the end of my hand lettering project the more excited I was about the prospect of finishing. Both for the achievement of completing 100 days, but also because I was desperately looking forward to having more time and space in my day. If I’d been more sensible I would have recognised this feeling and allowed myself to slow the pace or even stop. In other words, I could have given myself what I needed right away.

Once I did stop my energy slumped even further and now I have no choice but to slow down, which is not a good situation to be in. It would make a LOT more sense to be kinder and more gentle with myself on a day-to-day basis, which might mean that I produce less work but am able to take better care of my health, and avoid a boom and bust cycle.

I’ve missed a lot of my beloved weekly yoga classes lately too because I’ve been too tired or run down to go. I often use that as one of my benchmarks for how my health is and somehow I didn’t notice that this had slipped – and that maybe I could do something about it.

To take better care of myself as I recuperate I’m spending less time absorbed in work (actually no time at the moment!) and making sure to do things like sleeping more, staying in my pyjamas until lunchtime, taking my vitamins, meditating each day and listening to podcasts while I potter around at home.

I’m still doing something creative most days but I’m not forcing myself to do that and I’m using a pocket-sized notebook. I’m allowing myself to use it with no big expectations, just experimental doodles for fun.

So, although I’m pleased with most of the work I created during my 100 Days of Hand Lettering, I’m also disappointed that I allowed it to take priority over my health. It was my own project so I could have stopped, slowed down or changed it at any time but I didn’t. I know my own body better than anyone but I ignored the warning signs it was giving me and now they’ve caught up with me.

But what I also know is that this period of low energy will pass – they always do. I just have to create the right situation for that to happen and once it does I also need to take some time to really prioritise my health, and work in a gentler, more sustainable way.

Funnily enough I read Lisa Congdon’s blog post a while ago about how she is slowly recovering from burn out after working at a hectic pace for a very long time. It’s not quite the same as what I’ve experienced over the past couple of months but it did resonate with me at the time, although obviously not enough for me to avoid overdoing things in my own way!

What’s your approach to self-care and how do you balance your work and other important priorities in your life?

By | July 19th, 2017|Creativity, Life, M.E|4 Comments